Exhibition – ‘A Dialogue between Animals and Taiwanese Literature’
Animals and their relationship with humans in contemporary Taiwanese literature: the Taiwanese experience
What would become of the world if, for a moment, we were to step out of our role as ‘human beings’?
How does a dog see the city? What does an ox remember whilst working? How do the animals that inhabit the mountains and forests intertwine with human life, memory and beliefs? When birds, fish, insects and wild animals enter literature, do they not also invite us to rethink our own place in the world?
The French illustrator Christopher Boyd was commissioned to design the visual identity for this French edition. This invites the French public to explore 21st-century Taiwanese literature through the figure of the animal, but also to take a fresh look, through literature, at Taiwanese society and the world in which human beings live.
Around the exhibition
Origami and colouring workshop on the theme of animals: ‘Animals in our hands and in our hearts’
12 October – 2.30 pm to 4.30 pm, in the Foyer
Through origami, colouring and craft activities, this workshop invites young and old alike to imagine, fold, transform and colour their own animals. Birds, fish, pets or imaginary creatures: everyone can give free rein to their imagination and create a unique piece, made from paper, hand movements and colours.
Opening of the exhibition ‘Dialogue between Animals and Taiwanese Literature’
12 October – from 5.00 pm to 7.00 pm, at the Gallery
For the opening, the organisers invite participants to come wearing a small animal-themed accessory. This can take any form: an item of clothing with an animal print, an accessory, a piece of jewellery, make-up, a mask, a small object or any other element inspired by the animal world.
The idea is simple: to let everyone bring, in their own way, a symbol, a colour or an animal-themed element, to make the opening an even more lively, creative and fun occasion.
Project team
Project leaders: Chen Chiu-ling, Liu Chan-yueh
Exhibition organisation: Tseng Yu-jung
Illustrations and visual identity: Christopher Boyd
Layout and graphic design of the exhibition: Chen Yi-wen
Exhibition curator: Liu Chan-yueh